We’ll be exhibiting at the media production show on the 9th/10th June at the Business design centre in Islington, London. Come and see us at stand 130 to see some of the new kit we’ve been buying and chat to us about what we’re up to and any projects you’ve got that you’d like us to work on! The show is in its first year but with a huge selection of exhibitors and some great guest speakers its looking like its going to be a great opportunity to see the latest kit and learn about everything taking place in media production at the moment.
This time of the year can often be pretty tricky in the drone aerial filming world, mainly due to the weather. Throughout the year I spend most of my time checking one of my 5 weather apps to see the possibility of rain but mainly to check the forecast winds speeds. To some degree the wind is our master and in the UK in the autumn the wind speeds are usually pretty high. This always leads to a lot more checking of said weather apps in the run up to jobs this time of year and can on occasion lead to cancelations. This has definitely been our busiest autumn ever and it has happened to coincide with many storms. For some reason many of our recent shoots have also happened to be on the coast, the one place you don’t want to be when you’re trying to escape the wind. Us and the kit has been tested to its fullest but we’ve had great fun and a lot of great results regardless.
We started off the autumn with a great music video shoot for the artist Lapsley and her song ‘Hurt me’. It was filmed on the coast just off from Liverpool, an area i’ve never been too before but that happened to resemble the pine forests and sand dunes of south west France. This was probably the windiest conditions we’d ever had to handle and once again we were flying with the lovely but rather weighty and expensive Kowa anamorphic lenses. After a few tentative test flights we got some fantastic shots of the windswept beach and the artist on top of the dunes. The music video only consists of three shots and it starts and ends with ours so we were very happy. Check it out here
We were soon back on the Coast in Cornwall filming for the new series of the hit BBC drama Poldark. Once again we faced some challenging wind speeds and a few passing rain storms. We were mostly getting some close tracking shots of two horses and their stunts riders galloping along the beach. These ended up being some of my favourite shots we’ve achieved this year and I’m really looking forward to seeing them in the new series. The Drama theme continued as we did 2 days shooting on a new ITV period drama called ‘Doctor Thorne’. This time it wasn’t the wind we were battling but the early morning mist giving us about 10m visibility!
We were back to the commercials after this working on another Google android commercial. This was a 2 day shoot with the same great team as before, using the Kowa anamorphic lenses again on a commercial about the birth and rapid growth of the LeeFest festival. You can see the commercial here. In the same week we worked on the first of two new commercials for Bisto.
Another feature film called ‘Access all areas’ followed. This is a British coming of age film about “four runaway teenagers who are catapulted on a wild and uplifting road trip out of the city and across the water to a magical island music festival.” This was a great shoot for us as it featured several famous landmarks from around our base in the south west that we’ve been wanting to film for a while. It was a busy shoot as we had 4 scenes to do in 4 different locations, with actors and vehicles, all before the sun set at around 6pm. We got some stunning shots in the morning around Glastonbury Tor and finished off the shoot filming at the Clifton suspension bridge in Bristol. This is a land mark that we’ve always wanted to film over and around, being based in Bristol ourselves, and as the production had gained permission to close off the bridge for the shoot, we could do exactly that.
We got the chance to film at the very interesting location of Chatham historic dockyard when we worked on the new Steven Poliakoff BBC Period drama ‘Close to the Enemy’. Set up to look like a full WWII dock complete with guns and search lights it was a pretty fun place to fly. Predictably it was a very windy day and were flying over the water, at night with our new Arri Alexa mini. We were a little nervous! In the same week we were up in Yorkshire filming our second Bisto commercial. During that week the UK was being hit by storm Barney. Amazingly, using the trusted weather apps we managed to pinpoint a break in the weather long enough to get the required shots and got the job done.
We’ve been working on another new BBC drama during the last 2 months that I’m particularly excited about. From the makers of ‘Utopia’ (one of my favourite drama series) and ‘Humans’ comes a new super natural drama series set in Victorian rural England. Having worked on several episodes and seen the trailer Im very excited to see the finished series. The production are luckily also very keen on drone shots and have used us in some very interesting and new ways, working with actors a fair amount. Its been challenging and I’m looking forward to being able to talk about them in more detail on here when the series has been released. Keep a look out for it in 2016!
We recently got to work on an up and coming, full blown action movie. The scenes we worked on all involved stunts with vehicles being flipped and crashing in pretty spectacular style. One of these vehicles was a double decker bus! It was great to see the process and work that goes into prepping these kind of vehicles for a stunt. The insides are completely stripped out with roll cages and the all important pneumatic ram fitted. A hole in the floor is cut out for it to be fired through. One thing thats evident when doing this kind of filming is that you don’t get a second chance! The kit and the shot had to go as planned. Everything was checked several times and the shot was rehearsed several more. We were also using a new set of lenses for us. They were some Cooke S2’s. Some lovely PL mounted cinema lenses that remain fairly light weight. Unusually for us we were also mostly shooting on a 32mm lens which, with the crop factor on the Red Dragon became a 35mm lens. This was a bit tighter than we would usually shoot but worked well for the scene and allowed us to be a safe distance from the action! The one thing about being the pilot is that all your concentration is on the UAV in the air so you don’t really get a chance to look at the action that going on in front of you at the time. For this reason, whilst the shot was taking place I just heard a big bang, as the ram to flip the bus was fired, and then the smashing of glass and metal as the bus hit the tarmac and slid for 30ft. It wasn’t until I got to watch the playback that I got to see how good it looked! With a little luck, but I to think mostly skill, everything was framed perfectly, including framing out the two tracking camera vehicles and even getting a nice sunlight ping of the bus window as it flipped through the air.
We repeated a similar shot next filming a Range Rover flipping and rolling down the road about 100ft as another angle of the same scene. Finally the director asked for a shot directly above the double decker bus as it rams and smashes into the pursuing Range Rover, both going around 30-40 mph. The shot needed to remain tight as one of the bad guys on the bus emerges from a hatch in the roof at one point. All in all it was a fairly tricky shot to nail but on the 3rd attempt we got it. 13 hours of work to capture about 30 seconds of an action sequence but probably some of the best shots we’ve got so far. The director and DP were very happy. I love working on action movies!